When asked about the most punk act she's ever done, Cathy Loughead responds instantly: “I took the stage with my neck broken in two places. Not able to move freely, so I embellished the brace instead. It was a fantastic gig.”
She is part of a expanding wave of women reinventing punk culture. Although a new television drama spotlighting female punk premieres this Sunday, it reflects a phenomenon already blossoming well beyond the TV.
This energy is most intense in Leicester, where a local endeavor – currently known as the Riotous Collective – sparked the movement. Loughead was there from the start.
“At the launch, there were no all-women garage punk bands locally. Within a year, there were seven. Now there are 20 – and growing,” she explained. “Riotous chapters exist around the United Kingdom and internationally, from Finland to Australia, recording, playing shows, featured in festival lineups.”
This boom isn't limited to Leicester. Throughout Britain, women are repossessing punk – and transforming the environment of live music along the way.
“Various performance spaces around the United Kingdom doing well because of women punk bands,” said Loughead. “So are rehearsal studios, music education and guidance, production spaces. The reason is women are filling these jobs now.”
They're also changing who shows up. “Bands led by women are playing every week. They attract wider audience variety – attendees who consider these spaces as protected, as intended for them,” she added.
A program director, programme director at Youth Music, said the rise is no surprise. “Females have been promised a vision of parity. Yet, misogynistic aggression is at epidemic levels, the far right are manipulating women to promote bigotry, and we're deceived over topics such as menopause. Women are fighting back – through music.”
Another industry voice, from the Music Venue Trust, observes the trend transforming local music scenes. “We are observing broader punk communities and they're contributing to local music ecosystems, with grassroots venues scheduling diverse lineups and building safer, more welcoming spaces.”
Later this month, Leicester will stage the inaugural Riot Fest, a three-day event showcasing 25 female-only groups from the UK and Europe. Earlier this fall, a London festival in London honored BIPOC punk artists.
This movement is entering popular culture. The Nova Twins are on their maiden headline tour. The Lambrini Girls's debut album, their album title, hit No. 16 in the UK charts this year.
A Welsh band were nominated for the an upcoming music award. Problem Patterns won the Northern Ireland Music Prize in recently. Recent artists Wench appeared at a major event at Reading Festival.
This represents a trend born partly in protest. In an industry still dogged by sexism – where female-only bands remain underrepresented and live venues are facing widespread closures – female punk bands are creating something radical: opportunity.
At 79, a band member is proof that punk has no seniority barrier. The Oxford-based washboard player in her band started playing only twelve months back.
“At my age, there are no limits and I can do what I like,” she stated. One of her recent songs contains the lines: “So yell, ‘Forget it’/ Now is my chance!/ This platform is for me!/ I'm 79 / And in my fucking prime.”
“I appreciate this influx of older female punks,” she remarked. “I couldn't resist in my youth, so I'm making up for it now. It's great.”
A band member from the Marlinas also noted she couldn't to rebel as a teenager. “It has been significant to be able to let it all out at this late stage.”
A performer, who has performed worldwide with different acts, also sees it as catharsis. “It's about exorcising frustration: going unnoticed as a parent, as an older woman.”
Similar feelings motivated Dina Gajjar to establish a group. “Standing on stage is a liberation you didn't know you needed. Women are trained to be acquiescent. Punk isn't. It's loud, it's flawed. This implies, during difficult times, I think: ‘I can compose a track about it!’”
But Abi Masih, drummer for the Flea Bagz, remarked the punk lady is all women: “We're just ordinary, career-oriented, amazing ladies who enjoy subverting stereotypes,” she said.
Another voice, of the act the band, shared the sentiment. “Females were the first rebels. We needed to break barriers to gain attention. This persists today! That fierceness is within us – it feels ancient, instinctive. We are amazing!” she exclaimed.
Not all groups fits the stereotype. Julie Ames and Jackie O'Malley, part of The Misfit Sisters, try to keep things unexpected.
“We don't shout about the menopause or swear much,” commented one. Her partner added: “However, we feature a brief explosive section in all our music.” She smiled: “You're right. But we like to keep it interesting. Our last track was about how uncomfortable bras are.”
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